Personally, I’m not the type who is all that concerned about build quality. But if you’ve never damaged your equipment even slightly, then build quality is going to be less of a big deal to you. If you’re the type who tends to drop your lenses every time you pull them out of your camera bag, then that sends a clear message. One way to evaluate the build quality you need is to look at previous cameras, lenses, or other electronic items you’ve owned. Sure, you want a lens that can survive a scrape or two, but do you actually plan to take your equipment out in bad weather? Do you actually plan to subject your gear to all sorts of bangs and bruises? No, it doesn’t feel like it’s about to fall apart at any second, but I definitely wouldn’t want to drop it on the ground or bang it against a wall.Īnd don’t even ask about weather sealing a lens like this shouldn’t be taken out in rain, snow, or anything in between.īefore you write this lens off, however, ask yourself:īecause the truth is that most photographers don’t need much in terms of build quality. It has a partially metal exterior, but the whole thing comes off as very plasticky, and you’ll know it from the moment you hold it in your hands.
#Sony e mount full frame camera plus
The focal length is perfect for much of what you’ll encounter, plus this lens offers a few other features that make it great for walkaround photography (more on this later).īest Sony Portrait Lenses in 2023 Stunning Portrait Photography: The Ultimate Guide It’s not a genre, per se it’s more of a ‘carry a camera and see what happens’ deal.Īnd, in that area, this Sony 16-50mm f/3.5-5.6 excels. One area that I haven’t really touched on is walkaround/casual photography. But at the same time, you can get great results with this focal length, and it’s perfect for standard portraiture, street photography, and travel photography. In other words, the 16-50mm focal length has a bit of that ‘jack of all trades’ vibe.
#Sony e mount full frame camera full
The wide end isn’t quite what you need for sweeping landscape shots, the type that professionals love to use in order to create scenes full of depth.Īnd the long end isn’t enough for real telephoto landscapes, nor is it great for portrait headshots (for both of these applications, a 70-200mm lens will serve you better). On the other hand, this ‘kit’ focal length comes with some drawbacks. So, if you’re still interested in this neat little lens, then let’s dive right in. But for portrait photography, street photography, and walkaround photography, sharpness is less important than you might think. No, you won’t want to use it for landscape photography, where every little detail matters. This is obviously a problem, but I don’t think it’s disqualifying. It’s noticeably soft when zoomed out to 16mm, and it only improves marginally when zoomed in. Unfortunately, I’ll tell you right now that the Sony 16-50mm f/3.5-5.6 just doesn’t perform well in terms of sharpness. When combined with Sony’s generally impressive autofocus algorithms, you can easily use this lens for action photography or fast street shooting.Īnd I’ll discuss its image quality, which is the make or break feature for a lot of photographers. I’ll discuss its autofocus capabilities, which are surprisingly good for such a cheap lens. If you want to use the Sony 16-50mm f/3.5-5.6, then you need to take care of it. After only a few minutes with this lens, it was clear that I couldn’t just toss it around and expect it to hold up.
I’ll discuss its build quality, which is below average.
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